Wednesday, February 29, 2012

The hunt for classy beer.


Beer – that is all.

Those of us living today exist through a world of beer, beer, cigarettes, coffee, and beer. Currently, I have a coffee next to me, just smoked a bit, and desperately wish there was a beer in my fridge. Collegetown doesn’t bode well for snobby beer lovers who look in all the nooks and crannies for a good brew.

Looking hard enough into these nooks can hold a plethora of surprises or a sack of disappointment. Microbreweries are really a gem in the beer world. The heart and commitment that goes into making a singularly unique beer makes the price and journey worth it. My dad always took us to microbreweries that had the giant kettles right behind the bar. These bars were so lively, so friendly, they treated you like you were their best friend, and planted a one of a kind beer right in front of you. Naturally, in my continued longing for the spirit of  beer, I turned my attention to looking at the Cincinnati microbrew scene. I wanted to know if this place could bring the understanding and liveliness of microbrewing I’m so used to knowing.

I don’t mean to make this a story of my own endeavors for self-gratification, I also want this to be informative for the traveler and native, but as I began my research amongst Cincinnati, I opened the sack of disappointment. Every “microbrewery” I called was merely a seller of craft beers from other places. They don’t create their own beer with their own brewery on site. I never got in touch with a man from Christian-Moerlein. Where are the beers, Cincinnati? Vine Street in Over-the-Rhine that used to crawl with pubs back in the 1860s now lays bare, yet this city still seems to tout its beer-snobbery. Barrel-House is gone, Christian-Moerline hasn’t spoken, Rock Bottom has gotten too big to qualify as local craft, Watson Brothers in Blue Ash is gone, Hudepohl-Schoenling Brewing Company – which did actually start in Cincinnati – is now owned by Christian-Moerline, and Yuengling actually started in Pennsylvania. It seems whatever glory there may have been in the 1860s, before prohibition crucified anyone so brave as to love beer, has since evaporated.

In desperation and despair, I turned to home-brewing. I don’t know anyone who homebrews here in Cincinnati, but my father used to practice the hobby until us kids started growing up and he had to focus more on working and “sensible” projects. However, I did contact a lively internet community of home-brewers who happily answered some of my questions. (I will be using their online “screen names” that they prefer to be referred to as.)

“The thing about beer is that only about 10% of the public or less really knows anything about it besides Bud, Miller, and Coors. Those big brands are beer also, but they are one style of a very eclectic drink,” says user skaggs77. Drinkers tend to forget that there are horizons beyond what flashes before them on TV. 

“Why clone a commercial beer when you can go totally off the map and invent a new style altogether?” questions user internet-celebrity. Why do brand name beers taste hardly as good, yet make millions and billions of dollars every year? Because to mass-produce, they must calculate the most productive way to get people to consume. This dissolves the quality of their fermented drink into a yellow, fizzy mess. “Home-brewers typically worry about none of that (production for the masses, profit) and often enjoy the freedom to push the envelope. Trying something experimental with a 5-gallon batch costs little. The big guys don't have that freedom,” explains user Terrorsaurus. User jmn357 elaborates, “The fact that it's your own creation. It's just so cool to think that you made this. Then when you share it with friends and family, seeing their faces light up as they have good beer that you made. It's great.”

As fun as home brewing sounds, there must be some hidden expense that makes the practice elusive. From the information I gathered, yes, it can be. The simplest brew-kettle can start at $100; the burner, $90. Sanitizers and cleaners, used for bottling and after care are considerably cheaper but come in limited quatities. The cheapest fermenting device begins at $900 and the most expensive one $2500. Bare in mind this is just the equipment and there are much more than just kettles, sanitizers, and fermenters. Depending upon the kind of mead you want, kits start at $25. Soda (a.k.a rootbeer) around $15. The hops? Depending upon the type you wish to buy: between $3 and $5 for two ounces. With that said, two to four ounces of hops will make you five gallons of beer. The mechanics of home-brewing dig deep into wallets, but once all that’s left are the ingredients, supplies are cheap and abundant.

In light of keeping the local undertones, I asked the community where they get supplies. User yanman does everything online as the most local supplier is considerably more expensive and located 30 minutes out. User Rocky6501, and wellwatch get their equipment online, but like getting fresh ingredients locally. User bifftradwell says, “… About 1-2 times a year I go in with a few other brew buddies on wholesale purchases of 55-pound sacks of malted grain.”

I also posed a question about what really makes or breaks a quality brew. Everyone seemed very concerned that proper fermentation, temperature of the brew, and sound sanitation are keys to keeping the beer from tasting horrible. “I had a batch literally blow the lid off a fermenter,” wellwatch details. User gimpbully says it plainly, “A lack of cleanliness, improper measurements, bad math, not experimenting.” While home-brewing can produce a totally enlightening end, the timeliness of the process is what counts.

Finally, the users told me about the most important parts of making that well-crafted home-brew. Skaggs77 is a romantic, “(The) most important part is having a spouse who likes beer as much as I do.” To internet-celebrity, “Experimentation.” Terrorsaurus, “Patience.” User jnish trails along my train of thought from the beginning, “Learning about the history of beer, why different ingredients are used in recipes, and having a better appreciation for what arguably led humanity to settle and become a civilization.” Although, settling and becoming a civilization may have come slightly before the human race looked at hops and figured out ways to get hammered on the weekend. User ItsPronouncedNuclear told me that experimentation was his most important step, “I want to learn something from every batch I make whether it is a new process, ingredient, or hacked together equipment. Sometimes experiments work, and other times they fail horribly. Every time I learn what to do or not to do in the future. My best batch was a keg of doppelbock that was just ok when I started. I transported it across the country in a moving van and the major temperature swings rapidly aged it. When I carbed it up at our new place it was amazing.”

This dabble into brewing beer took many twists and turns but ended up on a note of the most simplistic measures. Yes, I suppose I am disappointed that I never got to discuss my original intention for this article, but to swap text with accessible users in a community dedicated to practicing beer, hopefully a deeper insight can be taken away that micro-breweries couldn’t offer. Those who do it, love it. They do it for the fun, the enjoyment of experimentation, to see the faces of those important to them light up, and for the greatest passion of beer.  These random users could – as easily as you or I – go buy a microbrew every night and sip at the offered selection, but no. These guys take to heart the tradition of beer and joyfully craft their own.



The post for confirmation of quotes: http://www.reddit.com/r/Homebrewing/comments/q8un8/a_story_of_homebrewing/

Friday, February 24, 2012

perpetual inebriation.

Not sure what I came here for. I just sorta pulled this up and figured I'd type out some words.

Now I can't even keep my attention to this page.

Drinking at 11am. Not sure I've ever done this, but I'm just sitting around drinking. I don't really care anymore... It's all shit anyway. All of this is shit. All of school, all of money, all of driving, all of life. All those pictures I take. All these words I write. What's it matter? Everything is subjective. I don't have to care about any of it but yet I'm forced to. I'd be content if I could just go to my home, pick up my old hourly job and get a position at Mountain Xpress. That's all I want to do. I don't want this structured school bullshit, this stupid rent and bills idiocy. I want me, my car, a companion to love, and a dog. It's amazing we can't do that. Drink up, Marisa.

I've been listening to music recently. Some really good music. Muse, Cage the Elephant .. just discovered this one called Sleep Party People. Just the one song "I'm not even human" or something.... "I'm not human at all." There it is.

Is it weird that I don't want to do this? No one gives a shit about blogs. Blogs are for people who don't have anything better to do with their time and think people care about their latest baking excursion. Fuck off.

Things are irritating. Very irritating. I keep hating things more and more as each day progresses. It doesn't cease. I've found nothing I like to do anymore. School takes away my News Record life, work takes away my school life.. My social life consists of my roommate and quickly fading relationship with a guy 350 miles away. (I'm sure members of my family will be happy to hear that.)

But who gives a shit about anyone's personal life? Who gives a shit at all? Apparently you're as good as forgotten after a month's absence. You don't matter when you're not there. Although you try your hardest to get back as often as the job permits, it doesn't matter in a month. The only thing that matters is if you're spending your dad's money because you're too big of a shit-for-brains to do anything for yourself.

The leash gets tighter and my throat closes more every day. I'm just trying to shove past it, but it's like one of those dreams where your eyes keep closing as you're trying to figure out your surroundings. You can't keep your eyes open for more than 5 seconds before they begin to shut again. It's like a start and stop REM cycle that wants to dream but doesn't have the fuel to keep going. You want it so bad, but can't have any of it. You see glimpses of it on occasion, but as for actually keeping the scenery around long enough to figure things out is fleeting. Occasionally you'll fall into a very decent REM cycle and it feels so great, but eventually you have to wake up and realize your in the poop and rain state holding an aluminum bottle filled with rum in public. You start to awaken to how much you really just don't give a shit.

Is it too much to ask to be set loose? I know what I want. I know where it is, how to deal with it, how to embrace every fiber of it, but, please, keep me behind the border's bars. I love staring out into a world right within my grasp and not being able to experience it. I love the clench of finances. The grip of a palm around my throat, setting me down, and telling me to "stay."



Expectation leads to disappointment. I wonder why I haven't learned that yet..

Not sure how much longer I want to continue with this existence. Signed a lease on a house today... pathetic.

Might as well experience life at the same level it's already making me feel. It's only fair.

Friday, February 17, 2012

haven't been here in many a'moon.

Hello Short-Cut,
So I haven't been here in a while and I just figured I should pick this stuff back up. Not that I don't like blogging, I just have way more important things to do in my life. I've come to find that blogging is for people who need something extra to do with their time and I, on the other hand, do not. Anyway, wanted to post a review I did earlier that never made it into the paper. I thought it was pretty nice.








Paul McCartney and Ringo Starr: 
not together, but still making magic.



       





   I’m not trying to be a pretentious Beatles fan here, because I’m way past that point in my life, however, with both Paul McCartney and Ringo Starr releasing new albums within about 3 weeks of each other, I had to see if their present work could live up to my lofty Beatles expectations.
Paul brought us some of the most famous Beatles songs with happy-go-lucky tunes like “Can’t Buy Me Love,” soulful blues with “Oh! Darling” and even touching on the psychedelic in “Fool On The Hill.” Ringo carried his pieces “Octopus’s Garden” and “Don’t Pass Me By” as his major Beatles contributions but even today most don’t realize that’s his talent.
McCartney kept to rock ‘n’ roll and pop during his solo years namely with the Wings project, as the majority of us drooling followers know and love hits like “Live and Let Die” or “Baby I’m Amazed.” The hits from his Beatles years kept coming only with their own flair of pure Paul McCartney. With this new album, Eric Clapton and Stevie Wonder help him out instrumentally, but for the most part, Paul sticks to singing.
Now, where is Starr in all this? It seems some drooling McCartney-ites don’t realize Starr has been working with many famous musicians since 1970. Just like his Beatles career, he has subtly kept to the background of music-land. Ringo Starr & his All-Starr Band premiered in 1989 and has been one of Starr’s greatest projects. Artists from several famous bands come and go throughout the years. 2012’s All-Starr band features guitarist Steve Lukather from Toto (yes, the “Africaguys), and Gregg Rolie, singer and keyboard talent from both Santana and Journey.
            All right, enough with the dry stuff; let’s talk dirt about those new albums.
After an extended break from producing albums, McCartney’s Kisses on the Bottom gave the aforementioned epics amiss as he reverts to playing around with sultry classics. “The Glory of Love” originally by Frank De Vol, and Fats Waller’s, “I’m Gonna Sit Right Down And Write Myself A Letter” take on an entirely McCartney-ized spirit. The entire album transports us to that all-too-smoky 40’s café, exhibiting the stereotypical singing lady perched on their piano. You know the one – her voice sounds just like the café smells. I had to keep reminding myself I was listening to McCartney, as I had been so ready to hear another Band On The Run or rendition of “Jet”. While I was disappointed to know most of the instrumental talent wasn’t McCartney’s, his voice is still as “Yesterday” as ever. Kisses On The Bottom: have 3.5 stars out of 5.
Ringo 2012, on the other hand, was like the love-child of “Octopus’s Garden” and “Act Naturally.” Starr’s steadfast, unique voice shot to the heart with his simplistic lyrics of love and all to familiar drumming style. This was the rock ‘n’ roll album I was looking for from McCartney. Starr has continuously fascinated me as the mysterious one who never really talked and stuck to his drums. Of course, he’s still got it on the drums, the years have hardly effected his talent and he’s the oldest of the Beatles. The beginning patter in “Anthem” uncannily resembles those of “Glass Onion” from the Fab Four glory days and “Wonderful” tugs at the heartstrings of that love you never had a bad moment with. When I discovered “Octopus’s Garden” as a kid, I immediately fell in love. Who knew Ringo had such a voice? Ringo 2012 is a superb display of his relentless vocal talent. “In Liverpool” his driving tone takes us on a trip down memory lane. Can I just go back to 1960 now? Ringo 2012, for its brilliant execution, 4.5 of 5 stars. I could listen to you forever, Ringo. 



Alrighty, so there's that, blog. See ya whenever.
 -Marisa